Tuesday, August 31, 2010

I Think I Miss You

I Think I Miss You (Music video) from Hinterland Films on Vimeo.


Official video for the Anxieteam song "I think I miss you". Shot by Saul Tiff, directed and conceptualised by Isaac Niemand & Premjit Ramachandran in Benaras, India.

Saturday, August 28, 2010

Thoughts from a lunar night

Unfolding like sheets of paper, Inspector Jigaanthar K and me head out into the night to meet Mr. Crasta. Cardigans blasting on the way, our heads finding kinetic energy shaping the thoughts from the moon's incessant delivery of light from behind the clouds, across the sky and into the black of that monsoon night, the snail that attached itself to a bill, how it tore off making the tear a snail-like shape, that moment when I said "I don't know who is driving this car", our flurry of thoughts in the treelined eighty feet road, less than hundredwords probably title for a label, Axl sending out positive energy, his love supreme. And love also from one mysterious girl living hundreds of miles away, shaping the mood for the moon and drawing her circles in my head.

Tuesday, August 24, 2010

A coffee with DT in a red room full of lillies, David Lynch-style, a room trapped in an unimaginable time, beyond reason or faith, off the counters of human perception.

Tuesday, August 17, 2010



Looking at Omkareshwar sideways.

Monday, August 16, 2010

A Document of Some Things


Mandu captured, heart in full transition (translation), projecting these images on a stone wall, while I sit with Roopmati in Jahaz Mahal. Those vivid black elephants, Vinod, Pardeep, the boys of mandu, slow-motion shots of them dancing in ecstacy, of possible videos for Bonobo's Black Sands, running, dancing in those corridors of Dhariya Khan's tomb and Haathi Mahal, black and brown, one sun, one moon, brush boys living on the earth, cool spot boy Manish, his pointed boots, the look of local love for Japanese tourists, those two muslims, Yusuf Ali and Muranuddin, strange disposition of men who like watching porn together, their ongoing quest to kidnap me to Kaaliboudi and Khwaja ji's Dargah there, of the words I couldn't somehow trust, my instinct projecting snake-like forms on Maharaja's corridors, photographer from Ellora with his dhandhe ka machine, his life in Ellora (possible film about these instant photographers waiting in the terraces of these gorgeous places trying to make a living printing moments of every memory to take home and slip inside a book or use as a bookmark, maybe pin to the wall of those middle-class homes, his stoner eyes looking, a slight friendship, then foodtime and those Relax-point men, poha oh, Joyaho's roha, Mr. White, one hand in a bandage, greeting and being PR on the floor, the baby-face flashed onto the trading head, duality in focus, that drive from Mandu to Omkareshwar, Pappu bhai talking of stories and times in strange chipmunk voice, the soundtrack overriding the images of rolling meadows, tree-haircuts everywhere...and then onto Omkareshwar, Kailash Kher's "Babam bam" re-imagined by local DJ, everyone dancing, that machine that tells you the weight via video projection of strange man, black & white video, giving them a piece of his prediction. Lost in dictation, India is where the heart finds its way through the chaos, the dirt, the earth. India, Je'Taime (supported by the music of Black Sands)

And then I looked at the time, it was 11.11... publish post, D song.

Friday, August 13, 2010

Back in the plains, Ahmedabad and Baroda, the spirit of Doshi in my heart, his smile, his art of selflessness, of thoughts of travelling with him to Bhuj, shooting in the Rann of Kutch, the spirit of Smrutivan, then onto Baroda, screening of new films at the Faculty of Fine Arts, the soft light of Maneesha in her studio, those high ceilings, Doshi still smiling through the skylights, Vasu's wonderful sincerity, no superficiality, those sweet artschool girls and their avant-garde thoughts... and today I leave for Mandu waiting to hold my breath next to history shining light on the monsoon's way... time stand still, the time is now, the place is here. :)

Saturday, August 7, 2010

Astral Projection

Today Daniel spoke of his meeting with Dr. Tripathi, "the scientist of enlightenment", of living on wheat and water for years, of Swami Devi, his Guru and astral projection.

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Astral projection (or astral travel) is an interpretation of any form of out-of-body experience (OBE) that assumes the existence of an "astral body" separate from the physical body and capable of travelling outside it. Astral projection or travel denotes the astral body leaving the physical body to travel in the astral plane.

The idea of astral travel is rooted in common worldwide religious accounts of the afterlife in which the consciousness' or soul's journey or "ascent" is described in such terms as "an...out-of body experience, wherein the spiritual traveller leaves the physical body and travels in his/her subtle body (or dreambody or astral body) into ‘higher’ realms." It is therefore associated with near death experiences and is also frequently reported as spontaneously experienced in association with sleep and dreams, illness, surgical operations, drug experiences, sleep paralysis and forms of meditation.

It is also sometimes attempted for its own sake, or may be believed to be necessary to, or the result of, some forms of spiritual practice. It may involve "travel to higher realms" called astral planes but is commonly used to describe any sensation of being "out of the body"[8] in the everyday world, even seeing one's body from outside or above. It may be reported in the form of an apparitional experience, a supposed encounter with a doppelgänger, some living person also seen somewhere else at the same time.

Through the 1960s and 70s, surveys reported percentages ranging from 8% to as many as 50% (in certain groups) of respondents who state they had such an experience. The subjective nature of the experience permits explanations that do not rely on the existence of an "astral" body and plane. There is little beyond anecdotal evidence to support the idea that people can actually "leave the body".

The expression "astral projection" came to be used in two different ways. For the Golden Dawn and some Theosophists it retained the classical and medieval philosophers' meaning of journeying to other worlds, heavens, hells, the astrological spheres and other imaginal landscapes, but outside these circles the term was increasingly applied to non-physical travel around the physical world rather than the astral. Though this usage continues to be widespread, the "etheric travel" label coined by later Theosophists such as Leadbetter and Bailey[citation needed] is more appropriate to such scenarios.
Commonly in the astral projection experience, the experients describe themselves as being in a domain which often has no parallel to any physical setting, although they say they can visit different times and/or physical settings. Environments may be populated or unpopulated, artificial, natural or completely abstract and from beatific to horrific. A common belief is that one may access a compendium of mystical knowledge called the Akashic records. In many of these accounts, the experiencer correlates the astral world with the world of dreams. They report seeing dreamers enact dream scenarios on the astral plane, unaware of the wider environment around them. Some also state that "falling" dreams are brought about by projection. The astral environment is often theoretically divided into levels or planes. There are many different views concerning the overall structure of the astral planes in various traditions. These planes may include heavens and hells and other after-death spheres, transcendent environments or other less-easily characterized states.

In contrast to astral projection, etheric projection is described as the ability to move about in the material world in an etheric body which is usually, though not always, invisible to people who are presently "in their bodies." Robert Monroe describes this type of projection as a projection to "Locale I" or the "Here-Now", and describes it as containing people and places that he feels actually exist in the material world. Robert Bruce refers to a similar area as the "Real Time Zone" (RTZ) and describes it as the nonphysical, dimension-level closest to the physical.

According to Max Heindel, the etheric "double" serves as a medium between the astral and physical realms. In his system, the ether, also called prana, is the "vital force" that empowers the physical forms in order for that change to take place. From his descriptions it can be inferred that when one views the physical during an out-of-body experience, one is not technically "in" the astral realm at all.[34]

The subtle vehicle remains connected to the physical body during the separation by a so-called “silver cord”, said to be that mentioned in Ecclesiastes 12:6.

Stephen LaBerge suggested in his 1985 book Lucid Dreaming that all such "out-of-body experiences" may represent partially lucid dreams or "misinterpreted dream experiences", in which the sleeper does not fully recognize the situation. "In the dark forest, one may experience a tree as a tiger, but it is still in fact only a tree."

Friday, August 6, 2010

Kundalini Rising



Kundalini is a powerful energy that is within each one of us and some believe is the foundation of life itself, the Divine Mother Goddess, the life force of the universe that is present in all things. The ancient Yogis of India created Yoga to awaken Her power and devoted there entire lives to the cultivation and understanding of Kundalini. It has also been a part of many other ancient cultures and religions throughout history. Until recently only the privileged and spiritually adept had the knowledge of how to awaken the Kundalini or knew of the secrets of its power. But as we progress in this age of awakening, awareness and knowledge of this evolutionary energy is beginning to emerge and people all over the world are experiencing Kundalini Awakening. It is known by a variety of names in many different cultures but the Sages of India called it The Kundalini. In Sanskrit this literally means 'the curl of the hair' or 'coiled', it is usually envisaged as a sleeping serpent coiled and ready to be awakened and is sometimes referred to as 'Serpent Power'. It is also related to the Mother Goddess, Mother Nature or the Sacred Femine.

Once Kundalini is awakened an evolution of the mind, body and spirit occurs. Leading to a higher state of consciousness and spiritual awareness. With the emergence in the West of practices such as Reiki, Meditation and Yoga over the last century many more people have awakened this dormant power that is kept hidden within. When Kundalini rises it is essentially connecting the male and female energies and connecting the individual with the Divine consciousness although there are conflicting views on the process of awakening and it's purpose so it is important to understand that there are still many unanswered questions. It is a very individual and subjective experience dependant on one's karma and life experience.

Kundalini is located at the base of the spine between the Root and Sacral Chakras and lays dormant in most people, it is usually developed and awakened through spiritual practice but can awaken spontaneously in some people. Some say it is the life force energy that resides in all things, also know as prana or chi, others that it is the all powerful evolutionary energy that is hidden from us and must be cultivated to be awakened.

Strange Meeting: Daniel

Morning. Big bowl of dahi at PAPU. Israeli-looking indian girl talking of her life, and beside her the quiet, calm, stillness of Daniel, man from Israel. India-fanatic. Been in India five years, drawn to Shiva in places like Omkareshwar and Benaras. Musician. Thinker. Evening. Comes over. Play him the music of Indra Okat, he loves it. And then suddenly I ask him if he has had a kundalini experience. Somehow his mannerisms seemed to have a serpent-sorta bent. Yes. How how strange. He described the whole experience. Insane... of his head spinning like the hood of snake, of him holding that imaginary axis that controls the uncoiling, the way he read people's thoughts like subtitles, knowing exactly what they thought, of that mad season in Omkareshwar being drawn to Shiva power, connecting with Him, of Hathayoga, vipaasana and how funny Goenka was, of how he stared at ants and flies for eleven hours a day, of losing his mind in isolation in the beaches of Puri, of his Polish friend who also had a Kundalini awakening. I just sat and heard him talk...